Arjen Anthony Lucassen

Explore about the Famous Dutch singer-songwriter Arjen Anthony Lucassen, who was born in Netherlands on April 3, 1960. Analyze Arjen Anthony Lucassen’s net worth, age, bio, birthday, dating, height-weight, wiki. Investigate who is Arjen Anthony Lucassen dating now? Look into this article to know how old is Arjen Anthony Lucassen?

Arjen Anthony Lucassen Biography

The same year, Lucassen, tired after the complexity of Ayreon, decided to do “something really simple, like punky or heavy versions of 1960s songs” and released Strange Hobby, a cover album without artist name or any personnel credited at the idea of the record company to make people curious about the record. According to Lucassen, “it didn’t work because people knew how it was and they weren’t so interested, so it was another flop. But I think it’s good. Maybe the songs are too much alike, too short and after 10 songs you think, ‘Oh, that’s it?!’ But I do like that album and I’m not ashamed that I did it.'”

Arjen Anthony Lucassen (born 3 April 1960, in Hilversum, Netherlands) is a Dutch singer, songwriter, multi-instrumentalist musician and record producer best known for his long-running progressive metal/rock opera project Ayreon. Lucassen started his career in 1980 as the guitarist and backing vocalist of Dutch band Bodine as Iron Anthony, before joining Vengeance in 1984. After eight years he left the band, wanting to go into a more progressive direction, and released two years later an unsuccessful solo album entitled Pools of Sorrow, Waves of Joy under the nickname Anthony.

In 1980, Lucassen joined Bodine via their drummer Gerrard Haitsma, who was also the drum teacher of Mover’s drummer. Under the nickname Iron Anthony, he was featured on their second album, Bold as Brass (1982), and their third and final album, Three Times Running (1983).

Regarding their original self-titled album released in 1984, Lucassen stated in a 2002 interview that the album was “horrible”, adding “The songs were mostly finished when I joined the band. I think I wrote just two songs for that album and it was recorded very cheap, the sound is bad and the songs are not that good. So it’s not a very strong album although you can already hear the potential”. The band later established themselves as one of the most successful bands of the Netherlands at the time. He also recalled a concert in Germany cancelled at the last moment because “after the first night Vengeance wrecked the hotel, it was like $10,000 damage. We were not allowed to leave Germany, they took our equipment… so that was really sex, drugs and rock’n’roll!”

In 1984, the newly created band Vengeance played as supporting act for Bodine. When Lucassen, who had been impressed by their performance, was later contacted by the band to ask if he knew any potential replacement for their guitarist who had just left, he proposed himself and joined the band, leaving Bodine.

In 1984, Lucassen left Bodine to join Vengeance; they disbanded shortly after.

In 1989, the band was forced to fire their lead vocalist Leon Goewie, who was, according to Lucassen, “really crazy on stage. The only problem was that he was also crazy offstage. But he also liked to have a stiff drink now and then, if you know what I mean”. Vengeance found little success with their new vocalist Ian Parry, and disbanded in 1992 after a surprisingly successful farewell tour.

He released his first solo album, Pools of Sorrow, Waves of Joy, under the name “Anthony” in 1994. It was a commercial flop; according to Lucassen, “people didn’t understand it. It wasn’t hard rock, it wasn’t prog or something. People thought, ‘What’s that he is doing now? He must be crazy!'”

While Lucassen pursued his solo career, Vengeance’s label released The Last of the Fallen Heroes, promoted as a new studio album but actually a compilation of unfinished demos, in 1994. Goewie, who was heavily struggling as a musician after being fired from the band, later contacted Lucassen, asking him to write him songs. Lucassen wrote two songs, which were later featured on a new Vengeance album, Back from Flight 19, in 1997; despite participating to this new album, Lucassen did not re-join Vengeance. He later stated about Back from Flight 19 “I’m not so proud of that album. There’s a couple of good songs but it’s definitely not Vengeance.”

After his first unsuccessful solo album, Lucassen began recording The Final Experiment, which was released in 1995 as Ayreon: The Final Experiment on a small Dutch label, Transmission Records, with no artist noted. The album featured a wide array of musical styles, ranging from folk to progressive metal. It was soon followed by Ayreon’s first single, “Sail Away to Avalon”.

In 1995, Lucassen released an album uncredited to any artist called Ayreon: The Final Experiment, in which he sang, wrote every song and played most of the instruments. The album conducted to the creation of Ayreon; despite being relatively unknown at first, the project gained notable attention and praise with the release of its third album Into the Electric Castle, establishing Lucassen as a notable composer of rock operas. Following Ayreon’s success, Lucassen has been involved in many other projects: he is the creator, composer and current guitarist/keyboardist of Star One, Guilt Machine, and The Gentle Storm, and the creator and former guitarist of Ambeon and Stream of Passion. He composes and writes most of his songs, but leaves the lyrics to his musical partners in some of his projects.

Lucassen also contributed to the 1997 album Back from Flight 19, but was not credited as band member. Despite being considered by Lucassen as a compilation of unfinished demos, the album was released as a new studio album with Lucassen credited as band member.

In 1998 the commercially successful and critically acclaimed Ayreon album Into the Electric Castle was released. It is still currently considered one of the best albums in Lucassen’s career. The good reception to the album made Lucassen decide to continue the project Ayreon.

In 2000 Lucassen created Ambeon, his first side-project since the creation of Ayreon, to explore a softer style of music. The band consisted of him as composer and principal instrumentalist and then 14-year-old Astrid van der Veen as singer and lyricist. They released their only album Fate of a Dreamer in 2001, along with the single “Cold Metal”. The album had a limited success. Ambeon’s atmospheric sound draws from a wide variety of influences, including celtic, gothic, progressive music, and dark ambient. The songs on Fate of a Dreamer were mostly composed of different remixed pieces of songs from Ayreon albums. The name of the band was a play on the words ambient and Ayreon. The album went out of print shortly after its release and was considered rare, until Lucassen re-released it in December 2011, with the addition of a bonus CD containing previously unreleased tracks. Lucassen was not satisfied with the final result, stating “it’s a bit cold for me. It’s too electronic, a bit too much computers… And I didn’t know how well Astrid could sing for I didn’t know her and she didn’t know me”.

The next two Ayreon albums, Universal Migrator Part 1: The Dream Sequencer and Universal Migrator Part 2: Flight of the Migrator, considered as two parts of the same story, were released simultaneously on June 20, 2000. The two sold well and were received positively, despite Part 1 being considered as superior to Part 2 by most critics. “Temple of the Cat” from Part 1 was released as a single the same-year, and again the following year in an acoustic version.

In 2002, Lucassen created another side-project, entitled Star One; the only side-project to date he made more than one studio album with. Star One focused on four singers: Dan Swanö, Russell Allen, Floor Jansen and Damian Wilson; Lucassen played guitar, keyboards and hammond organ. Their first album Space Metal was released in 2002. The album also had limited success, although it was more successful than Ambeon. Live on Earth, the first live album in Lucassen’s career which also included Ayreon songs, was released one year later.

During the recordings of The Human Equation from 2003 to 2004, Lucassen suffered from “increasing lower back problems”. The Doctors gave him an MRI examination revealing he was suffering of hernia; he had his examination filmed in order to use it for a video shoot, “as the ‘Me’ character [from The Human Equation] would also have needed a scan after his car accident”.

Special editions of all Ayreon albums were released in 2004 when Lucassen switched label from Transmission to InsideOut Records; The new edition of The Final Experiment featured a bonus disc of newly recorded, semi-acoustic versions of songs from the album, while Actual Fantasy was entirely remixed and partially re-recorded, with the new version being titled Actual Fantasy: Revisited.

He recruited second guitarist Lori Linstruth (his future girlfriend), keyboardist Alejandro Millán (Bovio’s then-boyfriend), bassist Johan van Stratum (Bovio’s future husband), and drummer Davy Mickers, and started the band. As with Astrid van der Veen for Ambeon, Lucassen was in charge of composing the music, while letting Bovio write the lyrics. They released the album Embrace the Storm in 2005. Like Lucassen had done with Star One, Stream of Passion toured and released a live album, Live in the Real World, in 2006. Also like Star One, the tour featured many Ayreon songs, as well as songs from the album. He finally left the band in 2007, as he had planned beforehand. The band continued successfully without him: They subsequently released three studio albums, The Flame Within, Darker Days and A War of Our Own, before amicably disbanding in 2016.

In 2005, Lucassen created Stream of Passion in 2005 to make a more conventional progressive metal band with symphonic and gothic inspirations. He also wanted to showcase the talents of his friend and Mexican female vocalist Marcela Bovio, who also sang on The Human Equation and who had won a contest on Lucassen’s website.

Lucassen has an older brother, Gjalt, who speaks through a megaphone on the song “I’m The Slime” from his solo album Lost in the New Real. Every Lucassen album contains a “Gjalt joke” in its booklet, in which he refers to his brother. This is, at times, done in both a joking and/or mocking fashion, as for years he and Gjalt have had a rocky relationship and haven’t always gotten along. He was married to Jolanda Verduijn, who appeared as bassist on The Final Experiment, until they divorced in 2006/2007.

Lucassen has suffered from permanent anosmia since 2007. The same year, he sank into a depression which required medical help, due to the disease, his constant work over the last years, and his recent divorce with Verduijn resulting in him living on his own.

In 2008, Lucassen released a new Ayreon album, 01011001, which achieved commercial success, reaching No. 2 in the Dutch album chart. The album was meant to be the conclusion of the Ayreon storyline, and after its release Lucassen decided to temporarily stop Ayreon, because he was not inspired to continue and also because many critics (despite the album being well reviewed) noted that there was nothing new being offered on 01011001; he believed that he might make more Ayreon albums in the future, but that they would not follow the same storyline.

In February 2009 Lucassen announced on his website his new side-project: Guilt Machine. The project features a very limited line-up compared to other Lucassen side projects: himself on many instruments and backing vocals, Jasper Steverlinck (Arid) on lead vocals, Chris Maitland (ex-Porcupine Tree) on drums and Lori Linstruth (ex-Stream of Passion) on lead guitar. Their first album On This Perfect Day, released the same year, received a very good critical reception but was Lucassen’s least commercially successful album in many years.

Lucassen is currently in a relationship with American guitarist and lyricist Lori Linstruth, who left Sweden to move in with him. She is his former bandmate from both Stream of Passion and Guilt Machine, and was featured in several Ayreon albums. Despite retiring as an active performer in 2010, she still acts as his manager, a role she has held since 2007, and is responsible for various other tasks on his albums; she notably co-wrote the story and lyrics of the Ayreon album The Theory of Everything. According to Lucassen, Linstruth supervises the making of all his works, notably his lyrics as English is her native language, and she is also an English teacher.

In 2010, Lucassen reunited the six other members of Star One, inactive since 2003, and released the band’s second studio album Victims of the Modern Age. The album received critical acclaim and was a big commercial success. In December 2011 the Ambeon album Fate of a Dreamer, like the older Ayreon albums, was re-released with bonus tracks.

In 2010, Lucassen reunited the six other members of Star One, inactive since 2003, and released the band’s second studio album Victims of the Modern Age. The album received critical acclaim and was a big commercial success. In December 2011 the Ambeon album Fate of a Dreamer, like the older Ayreon albums, was re-released with bonus tracks.

On late 2012, Tobias Sammet announced that Arjen would make some guest lead guitar works in his new Avantasia album, The Mystery of Time. This marked the second time both musicians have worked together, the first having been the Ayreon EP Elected, on the title-song, in which Tobias sang guest vocals.

On 23 August 2012, Lucassen published on his YouTube channel that he started composing “a new project”. On 9 October 2012, he revealed it via YouTube again to be a new Ayreon album, planned for 2013.

At the same time as that the Ambeon album was re-released, Lucassen was already busy composing and recording his next project. On 23 April 2012, Lucassen released Lost in the New Real, his first solo album since Pools of Sorrow, Waves of Joy 18 years before. On this album Lucassen sang all leading vocals, wrote all lyrics and played almost all instruments. Also, he asked the Dutch actor Rutger Hauer to provide narration between the tracks, similar to as he had done on Into The Electric Castle. Artwork for this album was done by Claudio Bergamin.

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