Catherine de Zegher

Catherine de Zegher Wiki

Celebs NameCatherine de Zegher
GenderFemale
BirthdateApril 14, 1955
DayApril 14
Year1955
NationalityNetherlands
Age65 years
Birth SignAries
Body Stats
HeightNot Available
WeightNot Available
MeasurementsNot Available
Eye ColorNot Available
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Explore about the Famous Belgian art historian Catherine de Zegher, who was born in Netherlands on April 14, 1955. Analyze Catherine de Zegher’s net worth, age, bio, birthday, dating, height-weight, wiki. Investigate who is Catherine de Zegher dating now? Look into this article to know how old is Catherine de Zegher?

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Catherine de Zegher Biography

(Marie-)Catherine de Zegher (born Groningen, April 14, 1955) is an international curator, and a modern and contemporary art critic and art historian. She has a degree in History of Art and Archaeology from the University of Ghent. De Zegher was the Director of the Ghent Museum of Fine Arts, Ghent (Belgium), but got suspended and later fired due to doubts regarding the authenticity regarding the Toporovski collection. Since 2014 De Zegher is a member of the Royal Flemish Academy of Belgium for Science and the Arts. She was the Artistic Director of all our relations, the 18th Biennale of Sydney, Australia (2012) and of More Light/Bolshe Seta, the 5th Moscow Biennale, Russia (2013). She curated the Australian Pavilion (Simryn Gill: Here art grows on trees) at the 55th Venice Biennale in 2013 and the Belgian Pavilion (Thierry De Cordier) at the 47th Venice Biennale in 1997. In 2017 she received the Oscarla award for her role in the art world. Her art projects often promote the feminine principle.

She was previously co-founder and Director of the Kanaal Art Foundation (Kortrijk, Belgium, 1988-1998) and in 1992 co-curated the large-scale exhibition America. Bride of the Sun: 500 years Latin-America and the Low Countries at the Royal Museum of Fine Arts in Antwerp.

1989. Cildo Meireles & Tunga: Through /Lezarts; Tadashi Kawamata: Beguinage Project Kanaal Art Foundation, Kortrijk; Lili Dujourie: Ibant oscuri sola sub nocte per umbra Bonner Kunstverein, Bonn; Le Magasin, Grenoble, France; Museum Kröller-Müller, Otterlo; Musée d’Art Moderne, Paris

1991. Waltercio Caldas: Drawings and Sculptures and James Casebere & Tony Oursler: Station Project Kanaal Art Foundation, Kortrijk

1992. Antoni Muntadas: C.E.E. Project Kanaal Production 1991-1992 in each European Community member state, starting with: The Netherlands: Witte de With, Rotterdam 2/22/92-12/31/92; Spain: Federacion Espagnola de Municipios y Provincios, ‘Edge’ 1992; Madrid 4/30-92-5/31/92; Portugal: Fundaçao Serralves, Porto 4/30/92-12/31/92; Great Britain: Broadgate, ‘Edge’ 1992, London 5/13/92-6/15/92; Germany: Staatliche Hochschule für Bildende Künste, Frankfurt 12/1/92-12/21/92; Greece: Institut Français de Thessalonique, Thessalonique 10/24/97; David Lamelas: When the Sky Low and Heavy Royal Museum for Fine Arts, Antwerp; Ilya Kabakov & Ulo Sooster: Illustration as a Way to Survive Royal Academy for Fine Arts, Kortrijk; Ikon Gallery, Birmingham, U.K.; Centre for Contemporary Art, Glasgow

1990-1992. America, Bride of the Sun. 500 Years/Latin America and the Low Countries Major historical exhibition, including the work of 23 contemporary South-American artists Royal Museum of Fine Arts, Antwerp 2/1/92-5/31/92

1993. Gabriel Orozco: In Broel-and Brewerytower Broel-towers and Brewery-tower, Kanaal Art Foundation

1994. Bracha L. Ettinger: Oeuvres autistes. Kanaal Art Foundation. Nancy Spero, Kanaal Art Foundation.

1996-1997. Inside the Visible. An Elliptical Traverse of 20th Century Art in, of, and from the Feminine. Institute of Contemporary Art ICA Boston; National Museum of Women in the Arts, Washington, DC; Whitechapel Gallery, London; Art Gallery of Western Australia, Perth.

In 1996 de Zegher curated Inside the Visible: An Elliptical Traverse of Twentieth-Century Art in, of, and from the Feminine at the Institute of Contemporary Art in Boston. The exhibition was accompanied by a book (MIT Press). Her exhibitions accompanied by books and catalogues include: Mona Hatoum: Beyond the Violence Vortex into the Beauty Vortex (2011); Bracha L. Ettinger: Art as Compassion (2011), co-edited with Griselda Pollock; Cristina Iglesias: Deep Fountain (2008); Julie Mehretu: Drawings (2007); Freeing the Line (2007); Eva Hesse Drawing (2006); Joelle Tuerlinckx: Drawing Inventory (2006); 3 x Abstraction: New Methods of Drawing by Hilma af Klint, Emma Kunz, and Agnes Martin (2005); Richard Tuttle: It’s a Room for 3 People (2005); “Ocean Flowers: Impressions from Nature” (2004);Giuseppe Penone: The Imprint of Drawing (2004); The Stage of Drawing: Gesture and Act. Selected from the Tate Collection (2003); Anna Maria Maiolino: A Life Line/Vida Afora (2002); Untitled Passages by Henri Michaux (2000); The Prinzhorn Collection: Traces upon the Wunderblock (2000), and Martha Rosler: Positions in the Life World, 1998. She co-edited with Carol Armstrong Women Artists at the Millennium (MIT Press).

1997. Mona Hatoum, Ann Veronica Janssens, Gabriel Orozco. Galerie Micheline Szwajcer, Antwerp.

1997. Thierry de Cordier. Belgian Pavilion, XLVII Biennial of Venice.

1998. Martha Rosler: Positions in the Life World. Retrospective exhibition co-curated by Elizabeth Macgregor and Sabine Breitwieser and organized by Ikon Gallery, Birmingham, UK, and the Generali Foundation, Vienna, and touring to Museu d’Art Contemporani de Barcelona; Institut d’Art Contemporain, Villeurbanne/Rhône-Alpes; The Generali Foundation, Vienna; Nederlands Foto Instituut, Rotterdam; The New Museum, New York; International Center of Photography, New York.

2000. The Prinzhorn Collection: Traces Upon the Wunderblock (Best Show AICA Award, 2000-2001). The Drawing Center, New York.

2000. Untitled Passages by Henri Michaux, 2000. The Drawing Center, New York.

2001. Between Street and Mirror: The Drawings of James Ensor. The Drawing Center, New York.

2001. Bracha Lichtenberg Ettinger: Eurydice Series. The Drawing Center, New York.

2002. Anna Maria Maiolino: A Life Line/Vida Afora. The Drawing Center, New York.

2003. The Stage of Drawing: Gesture and Act. Selected from the Tate Collection The Drawing Center, New York, 2003. Museum of Contemporary Art, Sydney, Australia; Tate Liverpool, Liverpool, United Kingdom ; Tate Britain, London, United Kingdom.

2003-2004. “Ocean Flowers: Impressions from Nature”. The Drawing Center, New YorkGiuseppe Penone: The Imprint of Drawing. The Drawing Center, New York; 2004. Milton Keynes Gallery, United Kingdom.

2005. Richard Tuttle: It’s a Room for 3 People, The Drawing Center, New York; The Aspen Art Museum, Aspen, Colorado.

2005. 3 x Abstraction: New Methods of Drawing by Hilma af Klint, Emma Kunz, and Agnes Martin (Best Show AICA Award 2005), The Drawing Center, New York; Santa Monica Museum, Los Angeles; Kilmainham Museum, Dublin, Ireland.

2005. Persistent Vestiges: Drawing from the American Vietnam War. The Drawing Center, New York.

2006. Joelle Tuerlinckx’s Drawing Inventory. The Drawing Center, NY.

2006. Freeing the Line: Gego, Monika Grzymala, Eva Hesse, Karel Malich, Julie Mehretu, Ranjani Shettar, Joelle Tuerlinckx, Richard Tuttle. Marian Goodman Gallery, NY.

2006. Eva Hesse Drawing. The Menil Collection, Houston; The Drawing Center, New York; LAMoCA, Los Angeles; Walker Art Center, Minneapolis (The Association of Art Museum Curators AAMC Award for Excellence).

2006. Eva Hesse Drawing. The Menil Collection, Houston; The Drawing Center, New York; LAMoCA, Los Angeles; Walker Art Center, Minneapolis (The Association of Art Museum Curators AAMC Award for Excellence).

2010. Alma Matrix: Shared Traces/Trazos en Comun. Bracha Ettinger and Ria Verhaeghe (juxtaposed with Eva Hesse: Studioworks). Fundacion Antoni Tàpies Foundation, Barcelona.

2010. On Line. Drawing Through the Twentieth Century, Museum of Modern Art, New York.

Catherine de Zegher’s most recent book is an anthology of collected essays on contemporary women artists written over 15 years: Women’s Work Is Never Done. In 2012, de Zegher curated and edited All our relations (18th Biennale of Sydney). De Zegher wrote On Line. Drawing Through the Twentieth Century (1910-2010) as a curator of an exhibition by that name at the Museum of Modern Art in New York. In 2010 she has curated the exhibition Alma Matrix: Bracha Ettinger and Ria Verhaeghe in juxtaposition with Eva Hesse. Studioworks (2010) at the Fundació Antoni Tàpies in Barcelona.

What's Catherine de Zegher Net Worth 2024

Net Worth (2024) $1 Million (Approx.)
Net Worth (2023) Under Review
Net Worth (2022) Under Review
Net Worth (2021) Under Review
Net Worth (2020) Under Review

Catherine de Zegher Family

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