Glen Keane

Explore about the Famous Animator Glen Keane, who was born in United States on April 13, 1954. Analyze Glen Keane’s net worth, age, bio, birthday, dating, height-weight, wiki. Investigate who is Glen Keane dating now? Look into this article to know how old is Glen Keane?

Glen Keane Biography

Disney animator who worked on “The Little Mermaid,” “Aladdin,” “Beauty and the Beast,” and “Tangled.” He was awarded the 1992 Annie Award for character animation, the 2007 Winsor McCay Award for lifetime contribution to the field of animation, and became a Disney Legend in 2013.

He grew up watching his father draw cartoons and developed an early interest in art. Later, he studied at Cal Arts under the legendary Jules Engel.

He spent more than 37 years with Disney as a hand-drawn and later CGI animator.

He had a son and a daughter with his wife Linda to whom he was married for more than thirty-five years.

His father, Bil Keane, launched the long-running comic strip “The Family Circus” on February 28, 1960.

Glen Keane (born April 13, 1954) is an American animator, author and illustrator. Keane was a character animator at Walt Disney Animation Studios for feature films including The Little Mermaid, Beauty and the Beast, Aladdin, Pocahontas, Tarzan and Tangled. Keane received the 1992 Annie Award for character animation, the 2007 Winsor McCay Award for lifetime contribution to the field of animation and in 2013 was named a Disney Legend.

Keane’s interest in art developed as a child by observing his father’s work as a cartoonist. (Glen’s younger self is represented in his father’s comic strip as the character of “Billy”). In his early attempts to draw, his father gave him a copy of Burne Hogarth’s Dynamic Anatomy, and instructed him to analyze the body forms and the creative approach to life drawing. After graduating from high school at Brophy College Preparatory in 1972, Keane applied to the California Institute of the Arts-School of Art, opting out of accepting a football scholarship from another college. His application was accidentally sent to the Program in Experimental Animation (then called Film Graphics), where he was mentored by Jules Engel.

Keane left CalArts in 1974 and joined Disney the same year. His debut work, which was created over a 3-year period, was featured in The Rescuers, for which he was an animator for the characters of Bernard and Penny, alongside Ollie Johnston.

In 1975, during the production of his debut film, Keane married Linda Hesselroth, and they are the parents of design artist Claire Keane, and computer graphics artist Max Keane.

After The Rescuers was completed, Keane went on to animate Elliott the Dragon in Pete’s Dragon. Keane also animated the climactic bear showdown in The Fox and the Hound. In 1982, after being inspired by the groundbreaking film Tron, Keane collaborated with fellow animator John Lasseter (Toy Story, Toy Story 2) on a 30-second test scene of Maurice Sendak’s Where the Wild Things Are, which was optioned for them by Disney executive Tom Wilhite. The test integrated traditional character animation and computer-generated backgrounds (Video on YouTube), and, like Tron, was a cooperation with MAGI. It was also Disney’s first experimentation with digital inked and painted characters. But the project turned out to be too expensive and the studio was unwilling to invest further in the planned featurette. The test for Where the Wild Things Are was revolutionary for its time, and a predecessor to the famous ballroom scene in Beauty and the Beast.

In 1983, Keane left Disney as a contracted employee and worked as a freelance artist. During this time, he worked on the character of Professor Ratigan in Disney’s The Great Mouse Detective. He also served as an animator on The Chipmunk Adventure where he did the sequences of “Boys and Girls of Rock n’ Roll” and “Getting Lucky”. He returned to Disney to work on the characters of Fagin, Sykes and Georgette for Oliver & Company. Keane rose to lead character animator, becoming one of the group of young animators who were trained by and succeeded “Disney’s Nine Old Men”. Keane animated some of Disney’s most memorable characters in what has been referred to as the “New “Golden Age” of Disney Animation. Keane designed and animated the character of Ariel in the film The Little Mermaid (1989), then the eagle Marahute in The Rescuers Down Under. Subsequently, Keane worked as the supervising animator on the title characters for three Disney hit features: Beauty and the Beast, Aladdin and Pocahontas.

While living with his family in Paris, France for three years, Keane completed work on Disney’s 1999 Tarzan for which he drew the eponymous character. Keane then returned to Disney’s Burbank studio as the lead animator for John Silver in Treasure Planet. In 2003, Keane began work as the director of Disney’s CGI animated film Tangled (based on the Brothers Grimm story Rapunzel), which released in November 2010. In Tangled, Glen and his team hoped to bring the unique style and warmth of traditional animation to computer animation. In October 2008, due to some “non-life threatening health issues”, Keane stepped back as director of Tangled, but remained the film’s executive producer and an animating director.

On March 23, 2012, having worked approximately 37 years at Disney, Glen Keane left Walt Disney Animation Studios. Keane said in a letter sent to his co-workers, “I owe so much to those great animators who mentored me – Eric Larson, Frank Thomas and Ollie Johnston – as well as to the many other wonderful people at Disney whom I have been fortunate to work with in the past nearly 38 years. I am convinced that animation really is the ultimate form of our time with endless new territories to explore. I can’t resist its siren call to step out and discover them.”

Keane is set to direct the upcoming Chinese animated film, Over the Moon, which is about a girl named Fei Fei who builds a rocket and flies to the moon in order to meet a legendary moon goddess. When she reach the far side of the Moon, “she unexpectedly discovers a whimsical world filled with fantastical creatures – some of whom threaten her and others who ultimately help her find her way home.” The film is written by Audrey Wells, and is set to be released on Netflix in 2020.

Motorola was a subsidiary of Google when Keane joined. When Google sold Motorola in 2014 early, his group remained with Google.

In December 2013, it was announced that he had joined Motorola’s Advanced Technology and Projects Group and is cooperating with its engineers to create interactive hand-drawn animation. Keane released his first animated short- Duet- at the Google I/O Conference in San Francisco on June 25, 2014. It is the first hand-drawn cartoon made with 60 fps, and the third in a series of shorts called the Spotlight Stories that are designed to explore spatial awareness and the sensory inputs of a mobile device to create a distinctive storytelling experience.

In 2015, it was revealed he, and 16 other top artists and filmmakers, had been hired by the Paris Opera to work on their 3rd Stage project. Glen Keane is the creator of the animated short called Nephtali, a reference to Jacob’s blessings and Psalm 42, and made in a choreography with ballet dancer Marion Barbeau.

In 2017, Keane directed Dear Basketball, an animated short film based on Kobe Bryant’s retirement poem in The Players’ Tribune. At the 90th Academy Awards, Keane and Bryant won the Academy Award for Best Animated Short Film for their work on Dear Basketball.

At the 2018 Oscars, he won the Academy Award for Best Animated Short Film along with Kobe Bryant for Dear Basketball. On May 26, 2018 he was awarded the 2017 Reuben Award for the Cartoonist of the Year in his hometown of Philadelphia, PA.

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