Sheena Easton

Explore about the Famous Pop Singer Sheena Easton, who was born in United Kingdom on April 27, 1959. Analyze Sheena Easton’s net worth, age, bio, birthday, dating, height-weight, wiki. Investigate who is Sheena Easton dating now? Look into this article to know how old is Sheena Easton?

Sheena Easton Biography

Pop singer who has sold more than four million albums, has won multiple Grammy Awards, and has had many hits make the Billboard Top 40.

She was inspired to pursue singing by Barbra Streisand‘s movie The Way We Were.

One of her hits was called “9 to 5” in Scotland, but it was known as “Morning Train” in the United States.

She was married to Sandi Easton in 1979, Robert Light from 1985 to 1986, Timothy Delarm from 1997 to 1998, and John Minoli from 2002 to 2003. She has two adopted children named Skylar and Jake.

She has collaborated with musical legend Prince, including on the romantic duet “The Arms of Orion.”

Sheena Shirley Orr was born on 27 April 1959, at Bellshill Maternity Hospital, the youngest of six children of Annie and steel mill labourer Alex Orr. She has two brothers, Robert and Alex, and three sisters, Marilyn, Anessa, and Morag. Her earliest known public performance as a singer was in 1964 at the age of five, when she sang “Early One Morning” for her uncle and aunt and various relatives at the couple’s 25th wedding anniversary celebration.

Sheena Shirley Easton, OBE (née Orr; born 27 April 1959) is a Scottish singer and songwriter. She is a dual British-American citizen. Easton came into the public eye in an episode of the first British musical reality television programme The Big Time: Pop Singer, which recorded her attempts to gain a record contract and her eventual signing with EMI Records.

Easton’s father died in 1969 and her mother had to support the family. According to Easton’s website, despite her mother’s heavy workload she was always available for her children: “Sheena always speaks very highly of her mum and the wonderful job she did in bringing up her and her siblings, including teaching them all to read at home before they were even enrolled in school.”

Her top grades in school earned her a scholarship to attend the Royal Scottish Academy of Music and Drama in Glasgow, where she trained from 1975 to 1979 as a speech and drama teacher by day, while singing with a band called “Something Else” by night at local clubs. She chose to study teaching rather than performing, because it was a course of study that would let her perfect her craft as a singer.

In 1979, she married Sandi Easton, the first of her four husbands. They divorced after eight months, and Sheena decided to keep the surname Easton. That year, one of her tutors coaxed her into auditioning for Esther Rantzen, producer of the BBC programme The Big Time. Rantzen was planning a documentary film to chronicle a relative unknown’s rise to pop-music stardom. Easton was selected as the subject for the programme, where she met and sang with Dusty Springfield and Lulu, whose manager Marion Massey told her that she was unlikely to make the big time.

Best Female Singer – 1980 The TV Times Readers Awards

Best British Female Singer -1980 Daily Mirror Pop & Rock Awards

Easton’s first single, the disco-tinged soft-synth-pop tune, “Modern Girl”, was released in the UK before The Big Time aired, reached number 56 and was certified a Silver single. At the end of the show, Easton was still unsure of her future as a singer. The question was resolved soon after the show aired, when her second single, “9 to 5”, reached number 3 on the UK Singles Chart and was certified a Gold single in 1980. “Modern Girl” re-entered the chart subsequently and climbed into the top 10, and Easton found herself with two songs in the UK top 10 simultaneously. During 1980, Easton was voted “Best British Female Singer” by the Daily Mirror Pop & Rock Awards, “Best Newcomer” by Capital Radio, and “Best Female Singer” by the TV Times Readers Awards.

Within a year of the programme airing, Sheena Easton proved Massey wrong as EMI executives awarded her a contract, and Christopher Neil was assigned as her recording producer. Deke Arlon became her first manager, and Easton spent much of 1980 being followed by camera crews, who filmed her throughout the process of making her first EMI single, “Modern Girl”.

Easton’s first three US albums, Sheena Easton (1981) (retitled edition of Take My Time), You Could Have Been With Me (1981), and Madness, Money and Music (1982), were all in the same soft rock/pop vein. The title track from “You Could Have Been With Me” made it in to the US Top 15, however, by the end of 1982, she saw her sales slumping. Easton was one of the first artists to record “Wind Beneath My Wings” (included on Madness, Money and Music), which later was a hit for Bette Midler.

“9 to 5” was Easton’s first single release in the United States, although it was renamed “Morning Train (Nine To Five)” for its release in the US and Canada to avoid confusion with Dolly Parton’s hit movie title song “9 to 5”. “Morning Train (Nine to Five)” became Easton’s first and only number 1 hit in the US and topped both the Billboard Hot 100 and Adult Contemporary charts in Billboard magazine. “Modern Girl” was released as the follow-up and peaked at number 18, and before 1981 was over she had a Top 10 hit in both the US and UK with the Academy Award-nominated James Bond movie theme “For Your Eyes Only”. The song was nominated for an Academy Award and Golden Globe award in 1982 in the category “Best Music (Original Song)”. Easton’s US success culminated in her winning the Grammy Award for “Best New Artist” of 1981.

The encounter with Massey (then Marion London), at which Lulu was present, was filmed and included in a revised and extended version of episode 12 of The Big Time, broadcast in 1981; this special concluded with news of Easton’s breaking into the American market.

Easton’s first two singles, “Modern Girl” and “9 to 5”, both entered the UK Top Ten, and she was the first UK female artist to appear twice in the same Top Ten since Ruby Murray. In 1981, “9 to 5” (retitled “Morning Train (Nine to Five)” for the US market) topped the US Hot 100, making her the third UK female solo artist to achieve this, following Petula Clark and Lulu, and she became one of the most successful British female performers of the 1980s.

Then, in 1982, Easton undertook her first US tour. Her performance in Los Angeles was videotaped and broadcast on HBO and later released on VHS as Sheena Easton Live at the Palace, Hollywood.

A six-time Grammy nominee in the U.S., Easton is a two-time Grammy Award winner, winning Best New Artist in 1982 and Best Mexican-American Performance in 1985, for her duet with Luis Miguel on the song “Me Gustas Tal Como Eres”. She has received five U.S. Gold albums and one U.S. Platinum album. She has recorded 16 studio albums, released 45 singles total worldwide, and had 20 consecutive US singles, including 15 U.S. Top 40 singles, seven U.S. top tens and one U.S. No.1 on the Billboard Hot 100 between 1981 and 1991. She also had 25 top 40 hits in international territories around the world. In Canada, Easton scored three gold and two platinum albums. She has sold over 20 million records and singles worldwide.

October 1983 saw the release of the album Best Kept Secret and its first single, the synthesized dance-pop tune “Telefone (Long Distance Love Affair)”, became her fourth Top 10 hit. The single was Grammy-nominated for “Best Female Pop Vocal Performance” of 1983. The follow-up single, “Almost Over You”, reached the US Top 30 and was a number 4 AC chart hit. “Almost Over You” was very popular in Asia and was covered by the Chinese singer Sandy Lam. It also became a hit on the Country charts for Lila McCann in 1998.

In January 1983, Easton duetted with Kenny Rogers and had a Top 10 hit in the US with “We’ve Got Tonight”, a cover of the Bob Seger song. The recording also earned her a number 1 single on the Country chart, and it reached the UK Top 30. Around the time of her hit record with Rogers, Easton headlined Act One, a one-hour variety special broadcast on NBC that featured Rogers and a cameo appearance by Johnny Carson.

Her career on the rise in the US, Easton was again Grammy nominated, this time for “Best Female Pop Vocal Performance” in 1984. She was also one of the first artists to have a music video banned because of its lyrics rather than its imagery; some broadcasters refused to air the sexually risqué “Sugar Walls”, which had been written for her by Prince (using the pseudonym Alexander Nevermind). “Sugar Walls” was named by Tipper Gore of the Parents Music Resource Center as one of the “Filthy Fifteen”, a list of songs deemed indecent because of their lyrics, alongside Prince’s own “Darling Nikki”. The song eventually hit number 3 on the R&B singles chart, number 9 on the Billboard Hot 100, and number 1 on the Billboard Dance Chart in 1985.

In 1984, Easton recorded a Spanish-language single, “Me Gustas Tal Como Eres” (“I Like You Just the Way You Are”), a duet with Mexican star Luis Miguel. The single earned her a second Grammy, this time for Best Mexican-American Performance. The track was taken from the album Todo Me Recuerda a Ti (1984), and reissued by Capitol/EMI-Latin in 1989, which featured Spanish-language covers of seven previous Easton recordings and three new tracks. In the same year, she also made a transformation into a sexy dance-pop siren, changing her performance style in the process. She was rewarded with the biggest-selling US album of her career, RIAA certified gold & platinum A Private Heaven (1984), and her sixth Top 10 US single, “Strut”. In the UK, however, the move was not a commercial success, as Easton would find herself shut out of the UK top 75 for the next three years.

Easton’s follow-up to A Private Heaven, entitled Do You (1985), was produced by Nile Rodgers and achieved gold status, although it failed to generate any breakout singles of the chart calibre of “Strut” or “Sugar Walls”. In late 1985, Easton contributed “It’s Christmas (All Over the World)” to the holiday release Santa Claus The Movie. In 1987, the release of a follow-up album, No Sound But a Heart (1987), was hampered in the United States after an initial single release, “Eternity” (another Prince composition), failed to reach the pop, R&B or adult contemporary charts. The album’s release moved from February to June; then in August the release was further held up as Easton’s attorneys asked that the album be delayed after EMI Records was absorbed into EMI/Manhattan. (This did not prevent the album from being released in Canada, Europe and other territories.)

In November 1987, Easton made her first dramatic acting appearance on the television program Miami Vice. She played a singer named Caitlin Davies, whom Sonny Crockett was assigned to protect until her court appearance to render crucial testimony against certain corrupt music industry mavens. Sonny and Caitlin ended up married by the end of the episode, the first of five episodes for Easton.

In 1987, Easton appeared in Prince’s concert film Sign o’ the Times, during which she sang duet vocals for Prince’s hit, “U Got the Look”, which became a No. 2 hit in the US. This led to Grammy nominations for “Best R&B Vocal, Duo or Group” and “Best R&B Song” of 1987. The track also returned Easton to the UK hit parade for the first time in nearly four years. During her time collaborating with Prince, Easton was encouraged to write her own material. The most successful effort from their co-writes was “The Arms of Orion”, another duet with Prince and a single from 1989’s Batman soundtrack. The song reached number 36 on the US Billboard Chart and number 27 in her native UK. She also co-wrote the song “Love ’89” with Prince for Patti LaBelle’s album Be Yourself and “La, La, La, He, He, Hee”, which Prince recorded for the b-side of the single “Sign o the Times”. Tabloid press linked the two romantically, which she has always denied.

Songs from the album were covered by other artists: Crystal Gayle and Gary Morris featured “Wanna Give My Love” and “What if We Fall in Love” on a 1987 duet album named for the latter song; Celine Dion recorded “The Last to Know” on 1990s Unison while Mexican singer Yuri featured the tune on her album Espejos De Alma (1995); Patti LaBelle covered “Still in Love” on 1989’s Be Yourself; Pia Zadora recorded “Floating Hearts” on 1989’s Pia Z. No Sound But a Heart eventually did get released in the United States in 1999, with four bonus tracks, including Easton’s contributions to the soundtrack of the 1986 film About Last Night…, “Natural Love” and the Top 50 single “So Far, So Good”.

The song also appeared on her next album The Lover in Me (1988), RIAA gold disc debut released the following autumn on her new label MCA Records, that put Easton back on the US and UK charts after the release of No Sound But a Heart was cancelled in the US. This album features Urban R&B and Dance-pop, and a sexier image. The title song from “The Lover in Me” reached number 2 on the Billboard Hot 100 and UK number 15 and became her biggest pop hit since “Morning Train”. It also became a number 5 hit on the US Hot R&B/Hip-Hop Singles and Tracks chart. It was followed on the US R&B chart by “Days Like This” (number 35), which missed the Billboard Hot 100. The third single, the Prince-penned “101” made it to number 2 on the Billboard Dance chart. A final single was released “No Deposit, No Return” and failed to chart. The album received positive reviews and featured collaborations with LA and Babyface, Prince, Angela Winbush, and Jellybean Benitez.

By the spring of 1988, a volume of the Miami Vice soundtrack was released and featured “Follow My Rainbow”, which Easton had finished singing on her last appearance just moments before her character was eliminated.

In the late 1990s, Easton retained an album contract with MCA Japan and released two discs of new material. However, neither album was originally released in the United States. Freedom, released in 1997 to coincide with the launch of her website and finally released in (Limited Edition) stateside in 2007, was a return to her trademark pop, including a remake of her debut single “Modern Girl”.

In the late 1990s, Easton retained an album contract with MCA Japan and released two discs of new material. However, neither album was originally released in the United States. Freedom, released in 1997 to coincide with the launch of her website and finally released in (Limited Edition) stateside in 2007, was a return to her trademark pop, including a remake of her debut single “Modern Girl”.

In 1991, What Comes Naturally became the last of Easton’s albums to chart in the United States, peaking at number 90. The title song was also her last Top 40 single to date, reaching number 19. It also became her first hit in Australia since the mid-1980s, peaking at number 4. Another two singles “You Can Swing It” and “To Anyone” followed but failed to chart. “What Comes Naturally” remained on the US pop chart for 10 weeks, and 11 weeks on the ARIA Chart in Australia. Easton has songwriting credits on three tracks. Easton is one of the few pop artists to adopt the new jack swing sound with chart success from the early 1990s.

Easton continued acting in America, starring in lead Broadway revivals of Man of La Mancha as (Aldonza) opposite Raul Julia in his last stage role (1992), and Grease as Rizzo (1996). Between 1994 and 1996, she played several characters in Gargoyles the animated series, including Lady Finella, the Banshee, Molly and Robyn Canmore. In 1999, she voice-acted a part-demon character, Annah-of-the-Shadows, in the computer game Planescape: Torment. She lives in Las Vegas with her two children and often performs in various casinos’ entertainment venues. She voiced the character of Fiona Canmore for a scripted but unfinished episode of the cancelled animated feature, Team Atlantis.

In Germany and Japan 1992 an unofficial recording of “Modern Girl” (Live in San Diego) was released by “That’s Life” recordings. The music was from her early output with EMI and became a sort of bootleg version of her concert when she performed stateside on her first worldwide tour in 1982.

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